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American Artist | 1929 - 2014

Mel 
Casas

Cultural Adjuster. San Antonio painter whose Humanscape series, 150 large canvases made between 1965 and 1989, turned the language of film, television and advertising back on American culture. 

American artist Mel Casas (1929–2014)

RECENT NEWS

The Museum of Modern Art in New York has acquired Humanscape 68 (Kitchen Spanish), 1973.

October 2026. 

 

Following its showing in Sixties Surreal (September 2025–January 2026), Humanscape 56 (San Antonio Circus '69) entered the Whitney's permanent collection in 2026.

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These join Casas' works at the Smithsonian American Art Museum, Crystal Bridges, Museum of Fine Arts Houston, the McNay, SAMA, and others. 

OPENS TONIGHT

MEL CASAS: DOUBLE FEATURE

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Winter Hours

Tuesday - Saturday: 10AM - 6PM

Sunday: 11AM - 6PM

Mel Casas: Double Feature

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Opening Reception:

Wednesday, November 11  6-8PM

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November 11, 2026 - January 10, 2027

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Eric Firestone Gallery

40 Great Jones St

New York, NY 10012

EFG Double Feature.mp4
00:00/00:00

MoMA acquires 
Humanscape No. 68

The Whitney acquires Humanscape No. 56

Selected Humanscapes

Humanscapes 1 - 32
(1965 - 1967)

Humanscapes 33 - 93
(1967 - 1977)

Humanscapes 94 - 150
1978 -1989

1965 - 1967

Cinema & Sexuality

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The drive-in screen as a frame for desire and spectatorship. 

1968 - 1977

Political paintings

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Advertising stereotypes and the Chicano movement. 

1975 - 1981

Art about art

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Sly commentary on the art world and its conventions. 

1982 - 1989

Southwest Clichés

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Regional kitsch reimagined, played straight and played for laughs. 

Exhibitions

2026

2026

Eric Firestone Gallery

Culture Commons Gallery

New York NY

San Antonio TX

2025

Whitney Museum 

New York NY

2024

Pérez Art Museum Miami

Miami FL

Melesio "Mel" Casas was born in El Paso in 1929 and worked for most of his life in San Antonio as a professor and chairman of the art department at San Antonio College. He was also a founding member of the Con Safo art group.

His Humanscapes paint a canvas within the canvas, a nod to the drive-in movie screen, and added a title plate below. With that format he took apart the images American media made of the people watching it.

About the Artist

A painter of the American screen

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